UK copies from Nine Arches can be bought here.

SA copies from Human & Rousseau can be bought here.

About A Whistling of Birds:

Elizabeth Bishop’s hawkweed, John Berryman’s hummingbirds, Ted Hughes’s burnt fox – the birds, beasts and flowers of Isobel Dixon’s new collection are at times kin to D.H. Lawrence, whose essay ‘Whistling of Birds’ lends this book its name, though each poem here is its own vivid testament to the natural world, and our often troubled and troubling place in it. 

Lyrical, vigorous, inventive, A Whistling of Birds shares points of creative contact with Lawrence’s iconic collection, Birds, Beasts and Flowers, but also ranges widely through the worlds of other writers, musicians and artists – from the Venerable Bede to Emily Dickinson, Georgia O’Keeffe to Glenn Gould, in moments closely examined and delicately drawn. Syrian roses, an abundance of apricots in Santa Fe; bats, bees, tortoises, snakes, the generous body of a whale. Threaded throughout is the beautiful complexity and vulnerability of the planet, and the joy and difficulty of making art, also in times of war and displacement.

Douglas Robertson’s finely detailed images also speak of a close connection to the green world, ocean and sky, and a thoughtful dialogue between artist and poet.

With its resonant elegies and notes of celebration, this is a collection that flexes, hums and brims with energy, yet also draws you surely in to its quiet, reflective heart. Care begins with attentiveness to what we value: what we love we seek to save. Here, the poet hears William Blake’s injunction to ‘labour well the minute particulars’ and pays close attention to both ‘the teeming Earth’ and the human voice.

Clear-eyed yet tender, at once precise and playful, A Whistling of Birds explores rootedness and restlessness, homing and flight. Poetry as powerful connection and recapitulation, and, even in landscapes of exile and diminishment, the art of rewilding and replenishing the self.

Praise for A Whistling of Birds:

'I was drawn to A Whistling of Birds for its acknowledged debt to D.H. Lawrence’s Birds, Beasts and Flowers. Snakes, bees, bats and foxes are some of the creatures that scamper through the text. There are poems for marine life, fruit and wildflowers. You get a sense of the seasons turning, and the natural wonders to prize from each. … A real gem.’ - Rebecca Foster

’The interweaving of the images of spoor, spider web and birdsong, the spirits of literary predecessors inhabiting the lexis and syntax of the poem, and the reaching across continents to form a thing of beauty out of the recursive furies and displacements of our lives, make the book an astonishing achievement. The illustrations by Douglas Robertson are apt and exquisite – the tirricks in flight along the top margin of the cover, the dung beetle, the lilting skyline and globe of the earth, the whale cradling the planet as it migrates in southern oceans, and the strip of savannah landscape snaking across four blank pages. The book is a gift.’ - Dirk Klopper

‘As D.H. Lawrence says, “The essential quality of poetry is that it makes a new effort of attention.” Isobel Dixon’s A Whistling of Birds does just that. Doing so, she gets, and shares with her readers, new slants on life on earth. I felt alerted again to things, fellow creatures, deeds, I hadn’t paid due attention to, or had once and had become accustomed and needed to be shown afresh. This book gives shocks of pleasure and gratitude in equal measure.’ – David Constantine

‘Isobel Dixon’s writing is lit by a fierce sense of landscape. She is newly touched by the tiniest northern flowers, haunted still by powerful spirits of the south. Her work is visually exuberant; its sounds, delicious, especially when bound by rhyme. Dixon’s lines flash with humour and tenderness. Her poems marry exactitude to emotion. In both, they are memorable.’ – Alison Brackenbury

‘These are warm, attentive, moving poems, full of feeling but also full of precision and clarity of mind. Isobel Dixon's work is engaged not just with life, but with poetry as life, and this haunting book is a testament to the doubleness of the poetic art: an engagement with the world, and a world in and of itself.' - Patrick McGuinness